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| jueves, 24 de mayo 2012 07:15 |
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| Nirvana |
| Nirvana Songbook |
| Agregado por: Tab Girl |
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| Imprimir |
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Enlaces Patrocinados a continuación:
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Table Of Contents
CHORD CHARTS
1) Power Chords
2) Major Chords
3) Minor Chords
TABULATURE DEFINITION
TUNINGS
SOME NOTES ON FEEDBACK AND NOISEMAKING
1)BLEACH
Blew
Floyd The Barber
About A Girl
School
Love Buzz
Paper Cuts
Negetive Creep
Scoff
Swap Meet
Mr. Moustache
Siftings
Big Cheese
Downer
2)NEVERMIND
Smells Like Teen Spirit
In Bloom
Come As You Are
Breed
Lithium
Polly
Territorial Pissings
Drain You
Lounge Act
Stay Away
On A Plain
Something In The Way
3)INCESTICIDE
Dive
Sliver
Stain
Turnaround
Been A Son
Molly's Lips
Son Of A Gun
(New Wave) Polly
Beeswax
Downer
Mexican Seafood
Hairspray Queen
Aero Zeppelin
Big Long Now
Aneurysm
4) IN UTERO
Serve The Servents
Scentless Apprentice
Heart Shaped Box
Rape Me
Frances Farmer Will Have Her Revenge On Seattle
Dumb
Very Ape
Milk It
Pennyroyal Tea
Radio Friendly Unit Shifter
Tourette's
All Apologies
5) MTV UNPLUGGED IN NEW YORK
Jesus Wants Me For A Sunbeam
The Man Who Sold The World
Plateau
Oh, Me
Lake Of Fire
Where Did You Sleep Last Nighgt
6) B-SIDES AND RARITIES
Baba O' Riley
Beans
Blandest
Curmudgeon
D7
Do You Love Me
Endless, Nameless
Even In His Youth
Formaldehyde
Gallons Of Rubbing Alcohol Flow Through The Strip
Help Me, I'm Hungry
Here She Comes Now
If You Must
I Hate Myself And Want To Die
Junkyard
Marigold
Misery Loves Company
Moist Vagina
Oh, The Guilt
Opinion
Pen Cap Chew
Return Of The Rat
Spank Thru
Talk To Me
The Money Will Roll Right In
Token Eastern Song
Verse Chorus Verse
CHORD CHARTS
This is basically all the chords used in this book (and more) put in
tabulature form. I did this for the sake of people who don't know how
to read chords, or don't have a chord book.
1) Power Chords
E5 F5 F#5 G5 G#5 A5 A#5 B5 C5 C#5 D5 D#5
|----------------------------------------------------------------------|
|--------------------------------------------------------------3-------|
|------9--------10--------------------2---3---4---5---6---7----2---8---|
|-2----9---3----10---4---5---6---7----2---3---4---5---6---7-or-0---8---|
|-2-or-7---3-or--8---4---5---6---7-or-0---1---2---3---4---5--------6---|
|-0--------1---------2---3---4---5-------------------------------------|
2) Major Chords (bar chords except for F not included)
E F G A B C D
|-0---1---3---0---2---0---2-|
|-0---1---0---2---4---1---3-|
|-1---2---0---2---4---0---2-|
|-2---3---0---2---4---2---0-|
|-2---3---2---0---2---3-----|
|-0---1---3-----------0-----|
3) Minor Chords
Em Fm Gm Am Bm Cm Dm
|-0---1---3---0---2---3---1-|
|-0---1---3---1---3---4---3-|
|-0---1---3---2---4---5---2-|
|-2---3---0---2---4---5---0-|
|-2---3-------0-------------|
|-0---1---------------------|
TUNINGS
Standard Tuning: E A D G B E
How To Get It: Tune the low E string to a tuner or another guitar
Tune the A string to the 5th fret of the low E string
Tune the D string to the 5th fret of the A string
Tune the G string to the 5th fret of the D string
Tune the B string to the 4th fret of the G string
Tune the high E string to the 5th fret of the B string
Down 1/2 Step: Eb Ab Db Gb Bb Eb
How To Get It: Tune the 6th fret of the E string to the A string
Retune the rest of the guitar as in standard tuning
Down A Whole Step: D G C F A D
How To Get It: Tune the 7th fret of the E string to the A string
Retune the rest of the guitar as in standard tuning
Drop D: D A D G B E
How To Get It: Tune the 7th fret of the low E string to the A string
Alt. Tuning 1: D A D G B F
How To Get It: Tune the 7th fret of the low E string to the A string
Tune the high E string to the 6th fret of the B string
Alt. Tuning 2: Eb Ab Db Gb B E
How To Get It: Tune the first 4 strings down 1/2 step
Leave the last 2 strings in standard tuning
SOME NOTES ON FEEDBACK AND NOISEMAKING
When It came to making noise using nothing but his guitar, Kurt Cobain was
a geinus. In fact, IMHO, the only person who I have seen make BETTER noise
would have to be Thurston Moore of Sonic Youth. It would impossible to
accuratly re-create alot of the sounds that Kurt achives with his guitar
(ie. Endless Nameless, Radio Friendly Unit Shifter, Gallons...), since
alot of it was improvised. This is why this book may actually be better than
published tabs...they actually try to tab noise jams like the RFUS outro and
the Scentless Apperentice solo, and it is very frustrating when you are doing
exactly what the book tells you and it still sounds wrong. My solution to
this problem: create your own feedback.
As you may or may not know, feedback is that ringing noise that occurs when
you play at a high volume, or play too close to the amp, or leave your guitar
sitting next to the amp when it is still turned on. There is some scientific
explination for this, like it makes the coils in the pickups vibrate, or
something like that. Basically, it occurs in strange situations when you
don't want it, but when you DO want it it is a pain in the ass to get!
There are several techniques that I use that produce decent feedback/noise.
One is bending. I find that if you do a double bend on your high E and B
strings anywhere above the 10th fret (as you see in Endless Nameless), it
will be loud and ring, and (if you're lucky) echo.
Another is harmonics. Feedback will usually occur instantly when you strike
a high pitched harmonic. This is quite effective when you have to come up
with a certain pitched feedback, if you can remember which harmonics make
which pitches. It doesn't work as well with 12th and 7th fret harmonics,
though. If you want GOOD feedback, go for 3rd, 4th, 5th, and 9th fret
harmonics. Sometimes, depeniding on the kind of guitar you have, you will
be able to take harmonics above the pickups. If you are able to do this, go
for it, cause you can't really get any more high pitched than that!
One method I have seen Kurt do in concert (you can witness this before Breed
on the MTV Live And Loud vid) that is quite effective is tapping the back of
the neck. You should try hitting the upper neck with either your pick or
fingers, behind the first or second fret. If the destortion is high enough,
it will produce a cool sounding rumbling noise at first, then become
screeching feedback.
Another technique used in Oh The Guilt is picking the strings above the nut
or below the bridge. It produces various high-pitched rings, which produce
excellent feedback. However, the strings must be struck somewhat hard, or
the sound may not be picked up.
If you would like to use the natural approach, simply turn up the volume
on your amp. It will eventually start ringing, and as you move your guitar
around in different positions the pitch will change. If you're lucky,
you may actually be able to pick up radio stations with this method!
Two things you should be aware of when doing this are:
1) Feedback occurs much more readily when the pickups are facing away
from the amp. An easy thing to do is take off your guitar and place it
up against the cabinet with the strings facing outward. This would save
lots of waiting.
2) Different pickups create different pitch feedback. You may want to try
using your pickup switch, especially if you have a strat or a strat
imitation. This can produce anything from a low growl to a high scream.
Again, you should expariment on your own.
There are various other noisemaking methods...so many that I will not be able
to list them all. Two that must not be ignored, however, are the whammy bar
and the pick scrape.
The whammy bar is probably the most useful tool in producing noise. What it
is is a bar attached to the bridge of the guitar which, when depressed,
lowers the pitch of the strings by raising the bridge. You can hear this in
action at the end of Stay Away, where Kurt drops the strings as far as they
go, raises them, and drops them again and again. However, dropping the pitch
of the strings is only one use for the whammy bar, as it can be used to make
exaggerated vibratos and other such noises. Depending on what model guitar
you have, the whammy bar will be built differently. On strat models, the
bridge is pretty well attached to the guitar, and the bar will only be able
to lower the pitch. However, on Ibanezes, the bridge is just sorta floating
there, so the whammy bar can be used both ways...raising AND lowering the
pitch. There is really not a hell of lot I can say about HOW to use this as
it isn't a very complicated tool. (It has two positions...up and down.
How much more simple can it be??) You hould just fool around with your own
and get familiar with it and the noises it can make and soon you will be able
to produce decent noise with it.
Pick scrapes are very underrated, as they seem to produce one kind of noise.
Actually, there are many things you can do with pick scrapes aside from just
scraping the low E or A strings and making the same old usual sound. One is
scraping actually above the pickups (which Kurt does at the end of Heart
Shaped Box) which produces a more high pitched sound. Another is using the
same top to bottom method on your higher strings (B and high E). Or you
could just scrape all the strings over the pickups. This is another method
that must be exparimented with so that you can come up sounds that you like.
Of course there are various other methods that Kurt used that I'm not going
to get into, basically because my knowledge of feedback and noisemaking is
very limited compared to his. However, this should provide you with somewhat
of a guide so that you too can make noise with your guitar!
TABULATURE DEFINITION
What all the little symbols in the tab mean...
)=Bend
/=slide
~~=vibrato
^=hammeron/pulloff
PM=Palm mute
*=uncontrolled feedback
xx=pick scrape
NH=Natural Harmonic
+=Tremelo Pick
)=Unison Bend
)
|=ghost bend
|=ghost bend and release
@@@@@=Smash Guitar :)
BLEACH
1)Blew
Alt. Tuning 1
Intro:
4: 0 0 3 5 6 6 5 3 3 0 5/6 6
5: 0 0 3 5 6 6 5 3 3 0 5/6 6
6: 0 0 3 5 6 6 5 3 3 0 5/6 6
Verse:
1: 0 0
2: 0 0
3: )( 0 0
4: 3 5 5 5 5 (5) 5 3/5 5 3~~~ 53/5 5 53/5 5
5: 5
6:0 0 0 0
Chorus:
4: 3 5 5 5 3 3 3 5 5 5 3 6
5: 3 5 5 5 3 3 3 5 5 5 3 6
6: 3 5 5 5 3 3 3 5 5 5 3 6
play 3x then:
4: 3 5 5 5 3 3 3 5 5 5 3 3 7 7 7 7 7 7 7 7 7 7 7 7 7
5: 3 5 5 5 3 3 3 5 5 5 3 3 7 7 7 7 7 7 7 7 7 7 7 7 7
6: 3 5 5 5 3 3 3 5 5 5 3 3 7 7 7 7 7 7 7 7 7 7 7 7 7
Solo:
(In standard tuning; I haven't figured it out in the alt. tuning yet)
) )( )(
2:10 10 (10) 10 10 10 10 8 0 8 10 10 (10)
) (
2:10~~~10 10 10 10 8 0 8 10
3: 8 10 8 10
2:10/13 12~~ (12) 12/15 15 15/17 17 15
2: 18 (18) 18 18 18 (18)18 (18)18
3:15 15 (18) (18) (18)
2:(18) 18 18 (18)18~~~~18~~~~~18 16
3:(18) (18) (18)
2:1615 1513 15 13^15^13^0 11/12 13 13~
2:11
3: 1211 11 9 10 10 10 8 10 10 10 8
2:
3: 8 8 10 10 8 8 10
4:108 0 8 10 10 8 10 10
2: 11 11 11 11 11 11 11 11 11
3:10 10
"you can do anything"
6:0 0 3 5 5 6 5
play that 1x then
6:0 3 5 5 5 5
play that twice then
6:0 3 5 5 5 5/
2) Floyd The Barber
Verse: F5 E5
Chorus: C#5 A5 C5 G#5
Solo
5: 0 1 3~~ 3 1 0 1 3
6: 1~~ 1 0 1 3 play that 3x then:
5: 3/5 5/6 6/7 7
6: 1~~ 1 0 1 3 3 0
3) About A Girl
Verse: Em G
Chorus: C#5 G#5 F#5
C#5 G#5 F#5
E5 G5 A5 C5
Solo
3: 9/12 12 12
4: 5 7 7/9 9 9/12 12 12 12
5: 5 7
play that 4x, then back to the chorus riff
4) School
Intro:
6: 0 (0) (0)
Verse:
) ) )~~~
6: 0 0 0 5 0 0 5 0 0 0 0 0 5
Chorus:
3: 5 5 5 5 x x
4: 5 5 5 5 x x 7 7 7 2 2 2 2 x x 5 5 5
5: 3 3 3 3 x x 7 7 7 2 2 2 2 x x 5 5 5
6: 5 5 5 0 0 0 0 x x 3 3 3
Bridge:
4: 11 11 11
5: 10 10 10
6: 0 0 0 0 0
Solo:
) )( )(
2:2 2 (2) 2 (2)
3:2 2 (2) 2 (2) 0 2 0 2
4: 2 0 2 (0)
5:
6: 3/ 0
2: 7
3:(2)0 2/7 7 7 7 79 (11) 0
4: /9 9^7^0 9^7^0
5:
) )(
3:2 2 2 2 2 2~~~~~ 0 2 0 0 2 (0)
4: 0 0 2
5:
6: 5 0
2: 11 8 8^10
3: 2 2/7 7 7 7 9 7 0
4: 2 5 5
5: 5
1: ) )10 10 10^9^7 7
2: 8^10 10 10 10 10 10^8
3: 9 7 7 9 7 7 9 9 9~~~~~ 9 7 7 76 6 64
)
3: 4 2 2^0 2 ~~~~~~~~~~~~~~~~~~
6: (11)
5) Love Buzz
This was recorded accidently tuned up a half step. The way it is tabbed here
sounds 1/2 step lower than it is on the CD.
Intro (Bass tabbed for guitar):
5: 4^5^4
6: 5 x 3 5 6 play 4x
Intro (Guitar)
A5 chord 4x, then this:
Riff A
1: 0 0 5^3^0
2: 5^3^0
3: 2 4^2^0
4: 2
5: 0
play that 4x, then play this:
Riff B
3: 6^7^6
4: /7 5 7 8
play that 4x, then Riff A 4x substituting the following strange bend for
the pullofs the last time:
)~~~
6: (5)/17
Verse: Bass Intro Riff
Chorus: Guitar Intro Riff
repeat those riffs a couple of times until the solo at which point it gets
strange and frightening. This part cannot be tabbed...
6) Paper Cuts-
Tune Down A 1/2 Step
Intro:
4:
5: 2 2 2 2 2 2 2 2 2
6: 1 1 1 1 1 1 * 1 1 1 xx
PM---------| PM--|
Verse:
Same as intro, except replace pick scrape with this riff
1: 0 0
2: 0
3: 3 3
Chorus:
"The lady I feel maternal love for..."
E5 chord with a variation of the above riff.
"I say so..."
4: 4 5 5 6 6 7 7 8 98 8
5: 4 5 5 6 6 7 7 8 98 8
6: 2 3 3 4 4 5 5 6 76 6
"Nirvana!"
4: 76 6 98 8
5: 76 6 98 8
6: 54 4 76 6
Post Chorus Riff:
4: 4 4 4 4 4 4 4 4
5: 4 4 4 4 4 4 4 4
6: 2 2 2 2 2 2 2 2
PM--| PM--| PM
7) Negative Creep
Tune Down A Whole step
Verse:
6: 0 0 /12 0 0 0 0 12 0 0 /12 0 0 0 0 12 0 0 /12 0 0 0 0 12
PM-| PM-----| PM-| PM-----| PM-| PM-----|
)~~~
6: 0 0 0 5
repeat, except replace the ending bend with this bend:
)~~~
5: 14
Chorus:
5: 7 7 5 6 6 6 5 8 8 5
6: 4 4 4 7 7 7
play that 8x
8) Scoff
Intro/Verse:
4:
5: 4 4 3 2 4 4 3
6: 2 2 1 0 2 2 1
PM---------------------|
Chorus:
"Gimmie Back My Alcohol"
4:
5: 4 4 3 0
6: 2 2 repeat
"Gimmie Baaaaaack!"
4:
5: 4 5 6 7
6: 2 3 4 5
"Heal A Million"
3: 5 5 5 5 7 7
4: 5 5 5 5 7 7
5: 3 3 3 3 5 5
6: 5 6 5 3
Post Chorus:
3:
4: 9 9 8 7 9 9 8
5: 7 7 6 5 7 7 6
Solo:
1: 5
2: 5
3: 5
4:
5: 3
6: 2
play that 4x then
3: 7 6 7 6 7 6 7/9 9 8 9 8 9 8 9/11 11
4: 7 6 7 6 7 6 7/9 9 8 9 8 9 8 9/11 11
play that 2x
9) Swap Meet
Alt. Tuning 2
Verse:
4: 1/2 bend 5 4 1/2 bend 5 4
5: ) 5 4 ) 5 3
6: 3 0 3 3p2p0 3 0 3
4:
5:
6: 3p2p0.
Chorus:
A, C and then this riff:
5: 5
6: 0 3 2 1 0 1 3 0 3 2 1 0 1 0
Solo:
1:
2: 7^5^0 7^5^0 7^5^0 7^5^0
3: 3 3 3 2 3 2
4: 2 2 3 2 3
1: 0
2: 7^5^0 3 7^560 0
3: 3 2 3 2 3 2 3 2 5 5 3 2 3 2
4: 3 2 3 2 3 2 3 2
1: 0
2: 7^5^0 0 7^5^0 0
3: 3 2 3 2 5 5 7 3 2 3 2 3 2 3 2
4: 7 2 3
1:
2: 7^5^0 7^5^0
3:
4:
5: 2
6: /(12) 0
Ending:
3- 2 2 2 2 2
4- 3 3 3 3 3 2
5- 3 3 3 3 3 2
6- 1 1 1 1 1 /(12) 0
10) Mr. Moustache
Intro:
5: 2 1
6: 3 3 2 1 0 1 2 3 3 2 1 0 1 2
repeat many times
Verse: G5 F5
Chorus: B5 A5 C G5 F#5 F5
11) Siftings
Intro:
6: 0 0 0 0
PM-----|
Verse:
4: 3 2 1 0
5: 3 2 1 0
6: 0 0 0 0 0 0
PM---| PM---|
Pre Chorus:
4: 5
5: 5
6: 0 0 0
PM---|
Chorus: C5 A5
Solo:
1: )~~~
2: 8
3: )7( )~~~ )7( )~~~
4: 7 7 7 7 7 7
5:
6: 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
PM---| PM---| PM---| PM---| PM---|
3: )7( )7( )7(
4: 7 7 7 7 7 7
5:
6: 0 0 0 0 0 0 0 0 0
PM---| PM---| PM---|
After this it lapses into another Cobain-esque random noise solo, and it is
not possible to tab.
12) Big Cheese
Intro:
5: ^109
6: ^ 87
play 4x
Verse:
2: 0
3: 0
4: 10 9 0
5: 10 9
6: 8 7 7 7
NH-|
play that 7x then play this:
5: 10 9 9 9
6: 8 7 7 7 0 0
PM-|
Chorus:
5: 4 4 4 4 4 4 4 4 4 5 5 0
6: 2 2 2 2 2 2 2 2 2 3 3 0
play 8x then:
3: 0
4: 4 1 0
5: 2 3 0
play that 4x
Solo:
2: 12 12 13 13 13 13 10 1210 10 12 1210 10 7
3: 11 11 12 12 12 12 9 119 9 11 119 9 6
4: 9 9 10 10 10 10 7 97 7 9 97 7 4
play that 3x, then:
2: 12 12 13 13 13 13 10 13 12 13 12 13 12 12 0
3: 11 11 12 12 12 12 9 12 11 12 11 12 11 11 0
4: 9 9 10 10 10 10 7 10 9 10 9 10 9 9
13) Downer
Verse: E5 C5
Chorus: A5 A#5 B5 A#5 play that 8x then:
E5 C5 play that 4x then:
A5 A#5 E5(7th fret) F5(8th fret) play that 2x
NEVERMIND
1) Smells Like Teen Spirit
Intro/Chorus: F5 A#5 G#5 C#5
Verse:
1: 1
2: 1
Pre-Chorus:
1: 1 1 1 1 1 1 1 1
2: 1 1 1 1
Post-Chorus: )
3: 3 5 5 x 5 3
4: 3 3 x 3 4 4 5 5 x 5 3 6
5: 3 3 x 3 4 4 3 3 x 3 1 6
6: 1 1 x 1 2 2 4
Solo: )
3: 8 10 8 8 8 6 5 6 5 )(
4: 10 /6 8 6 6 8 8 (8) 6 5
repeat that 2x then play:
4: 6 5 6 5 6 5 6^5 53
repeat that 3x then play:
4: 6 5 6 5 6 5 6^5 3~~~~(let feedback ring through verse)
2) In Bloom
Intro: A#5 G5 F5 G#5
Verse: A#5 F#5 D#5 B5 A5
Chorus: A#5 G5 play that 4x then:
C5 D#5
Solo:
1:
2: )~~~~~~~~~~~~~~~~~~ ) ( ) (
3: 8 8 8(0) 6 (6) (6)
1:
2: ) ) ) (
3: 6 6/8 6 8 8 6 8 (8) 8~~6 8 (8)
4: 6/8
1:
2:
3: 6 8 8
4: 0
1:
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| Nota: Esta tabaltura/acorde es trabajo propio del colaborador y representa su versión y apreciación de la canción original. Su uso será limitado extrictamente a fines educativos y no comerciales. |
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